And when they had a controversial story with dirt on one of Nancy Marchand's friends, she's finally cave in and say, "Very well, Mr. Grant. Run your story."Obervations:
• that theme song was solid
• Rebecca Balding lasted three episodes
• we had an Animal-like photographer on staff
• Robert Walden introduced Geraldine Ferraro during a campaign appearance at the alma mater in ’84
+1I was taken aback by a LOT of people's roles in Roots.
He was in Hawaii 50 at the end. An aging burglar or something.
I have a soft spot for the Lou Grant episode called "Nightside," where he fills in for the night editor for the first time. The episode also features a couple great character actors, Richard Erdman and David Paymer.
One of John Wayne's "Rio" films was on TV last night -- "Rio Bravo" or "Rio Lobo," can't recall which (same movie, different cast). Asner played a ruthless land-grabber who hired gunman Christopher George. In the end a cute young cowgirl shoots Ed just as he's about to plug the Duke.
Young Ed Asner also showed up in several "Untouchables" episodes.
One thing Lou Grant never really got right was that it was never really clear whether the Trib was an AM or PM paper (except for the title sequence which showed paperboys throwing papers on porches in the morning).
In many shows it appeared that Lou's city desk crew was working essentially 9-5 hours .
Of course, on the news staff of a daily paper, you NEVER work 9-5.
If it's an AM paper going to press about 1 am, you go in to work about 4-5 pm; if it's an afternoon paper going to press about noon, you go in something like 4 am (or more likely work bizarro world split shifts).
The "Nightside" episode showed some of that, but not nearly the whole thing.
People asked me how realistic it was. It was pretty realistic, but it bothered me
Before she rode the metro and had her breath taken away she wanted to get pregnant but Billie wasn't too keen with that idea.