The blues

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Pringle

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Jul 6, 2006
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So tonight on iTunes I stumble across "John the Revelator," recorded in like 1929 by Blind Willie Johnson.

Is there a greater American contribution to culture than the blues? I mean, seriously, is there? ******* this is awesome. I've listened to it about 10 times in a row ...

Anyone else enjoy a shot of seven-decades old blues every so often?
 
Yes. I partake in some B.B. King and Robert Johnson from time to time.
 
Son House also does a nice version of "John the Revelator"

and yes...absolutely love the blues.
 
The original Lead Belly (cq) and Woody Guthrie recordings are still amazing, and led the way for all that was to come.

"I still can't figure out what the hell he was doing." -- Eric Clapton, on Lead Belly.

When country/folk met blues/gospel, what came out was rock & roll.
 
I studied the blues a bit in college. I don't listen to it as much as I used to, but it's still amazes me from time to time.

John Lee Hooker was always my favorite. That probably started because he was in Blues Brothers.
 
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When it comes to the blues the thrill is never gone. XM radio 74 - is all blues - great stuff.

My favs - John Lee Hooker ( Boom Boom) and Robert Cray.

As sidebar Dusty Baker is a big blues fan.
 
Blind Willie Johnson once got a mention on The West Wing.

Yes, I an full of useless information and mirth.
 
Vincent Riendeau was my favorite Blue.

riendeauslb90.jpg
 
I like the Govt Mule version of John The Revelator.

Beginning in the mid-1990s for about five years I listened to very little rock, almost exclusively blues. Read a lot about it, too. The late Luther Allison was my favorite. He was sort of a blues outcast in the 1960s and 1970s; purists didn't like his use of rock techniques like wah-wah pedals. He moved to Paris for nearly 20 years, returning to the U.S. in the 1990s to finally achieve commercial success and critical acclaim in his homeland with three excellent efforts on Alligator Records before he died. His final CD before he died, Reckless, was his best, in my opinion. He was not the best guitarist around, but he played and sang with a great deal of passion. His son, Bernard, is a bluesman, too.

If you like Clapton, listen to Freddy King and Otis Rush and you'll hear not only where he learned to play guitar but how to sing.

Hound Dog Taylor and J.B. Hutto are two examples of the "house rockin' " school of Chicago Blues. I enjoy both. Hutto's nephew, Lil' Ed Williams, is a lot of fun, energetic.

Of 1950s stuff, I'd recommend the Howlin' Wolf compilation "Moanin' After Midnight" as a good place to start. Also, Elmore James.

For really old stuff, try Tampa Red. He was big in the 1920s and '30s. His bottleneck guitar playing is pretty incredible.
 
R.L. Burnside wasn't your typical blues man -- more juke joint than Beale Street -- but he put on a helluva show.

And you gotta love a guy who has an album called A Ass Pocket of Whiskey.

B0000036WR.01.LZZZZZZZ.jpg
 
Ledbetter said:
R.L. Burnside wasn't your typical blues man -- more juke joint than Beale Street -- but he put on a helluva show.

And you gotta love a guy who has an album called A Ass Pocket of Whiskey.

B0000036WR.01.LZZZZZZZ.jpg

'it's bad you know.' i dont know how to describe that song, but man ... hooker, waters, all that midwest electirc stuff ...nothing better.
 
Blues music kicks serious ass.

Chicago Blues is what I dig the most. Check out Buddy Guy's Legends. Guy plays a lot of gigs at his place every January.

I've seen Otis Rush play at Legends too. Great show.

Seen B.B. King a few times -- he once played a midnight concert when Magic Johnson's wife Cookie had a birthday party at B.B. King's club in Universal CityWalk in L.A. Awesome.

As for other gigs to see, Long Beach Blues Festival in California on Labor Day weekend at Long Beach State is worth checking out.

And finally, Ray Bailey rocks!
 
Got to see Buddy Guy as the opener to a couple Dave Matthews concerts at Soldier Field about five years ago. Awesome, awesome, even at his age. And you know a DMB crowd can 'preciate ... very cool show. :)
 
The more I listen, the further back I go, and the further back I go, the more amazed I am. You start getting past Charlie Patton and back into the old string-band stuff from Harry Smith's Anthology Of American Folk Music -- and, yes, Pirate Lou, is also has sea chanteys. Shiver me timbers, Squire Trelawney! -- and you really find yourself in the weird and wonderful.
Also, my favorite version of John The Revelator is done by Johnny Nicholas, although Son House kicks ass on it, too, although Son's Death Letter is the real scarifying stuff.
 
buckweaver said:
Got to see Buddy Guy as the opener to a couple Dave Matthews concerts at Soldier Field about five years ago. Awesome, awesome, even at his age. And you know a DMB crowd can 'preciate ... very cool show. :)

Every time I've seen Buddy Guy, he's been amazing. He's not only really, really, really, really, really talented, he's also a great performer.
 
Budy Guy's been pretty hit or miss in my experience.
Now Son Seals, that's a different story.
 
I got into the blues back in the late-70s as a kid seeing B.B. King on the Tonight Show and while I don't listen to it as much as I used to but I am still really into guys like King, Buddy Guy, Johnny Winter and Robert Cray.

Stevie Ray Vaughan will always be my all-time fave blues guy and his brother is no slouch either. Good to see some love here for Lil Ed and the Blues Imperials and the late Son Seals.
 
When speakin of the Blues you have to mention ZZ Top - started out as Texas bluesman - Rio grande has some great blues stuff- Lagrange is based on John Lee hooker's - boogie chillin.

I'm not wild about Buddy Guy. His stuff all sounds the same to me.

Anyone ever visit the Slippery Noodle Inn in Indy - one of the great Blues bars in the country.
 
Boom_70 said:
When speakin of the Blues you have to mention ZZ Top - started out as Texas bluesman - Rio grande has some great blues stuff- Lagrange is based on John Lee hooker's - boogie chillin.

I'm not wild about Buddy Guy. His stuff all sounds the same to me.

Anyone ever visit the Slippery Noodle Inn in Indy - one of the great Blues bars in the country.

Boom --
Great moment in Noodle History --
Back in 1991, during the Final Four, some patron kept yelling to whatever band was playing to do "Purple Haze." Finally, the singer told everyone to blow into the top of their beer bottles. Then, he played the opening riff, and said, "That's all we know." Never been able to listen to that song the same way again.
 

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