Just a few of the reasons I appreciated Tom so very, very much:
-- He thought outside the box long before that term was coined. I cannot remember a single news meeting at The National when, after individual sport editors gave a budget of what would be coming that night or what would be coming up soon, that Tom did not ask/challenge all at the conference room table, "How can we do this story different and better than anyone else?" He'd issue the same challenge, in one way or another, every single day. The man was relentless. The man also was on to something.
Frank Deford tells an anecdote as part of the formal talk he gives on campuses and business luncheons around the country, how in one of these planning meetings, Tom steered him away from joining the mob in Italy covering the 1990 World Cup and, instead, going to Cameroon to cover that tiny nation's biggest moment on the world's sports stage. So Frank covered Cameroonians(?) watching their national soccer team on a tiny black-and-white TV outdoors near the airport. When Cameroon scored, it seemed like the entire country went delirious with joy. One little roly-poly lady grabbed Deford and spun him around with her in a frenzied celebratory dance. Naturally, Frank wrote this unique on-the-scene angle as only he could but he acknowledges there's no way he could have done it from Italy. Frank also says he has only one sports photo on display his home and it's the one of them dancing in Cameroon.
Somehow, Tom just knew the detour would be worth it.
-- Someone posted on Facebook how "Tom was known to reduce grown men to tears because of a misplaced comma" and that reputation followed him to The National. One of my responsibilities working for him on the copy desk was to make sure the trains all ran on time. This one night, we had a page built around an info-graphic that needed some serious fact-fixing on deadline. I forget the particulars, but it wasn't a graphic that supported the story; the story supported the info in the graphic. So we couldn't just sub out the graphic with a photo at the last instant. And I didn't want an edition or three to carry the graphic with erroneous information. So I held the page and blew deadline by several minutes.
Sure enough, next day Tom calls me into his office. Covering his desk are copies of the graphic in its various stages of editing, proofs of the page, production reports and a memo from above complaining about the blown deadline. Tom asks me what happened. I tell him, pretty much the same as I outlined it here, then await the certain blistering dressing down. Tom gathers all the aforementioned paperwork into his arms, turns, dumps it all in the trash and says softly, "I'd have handled it the same exact way you did. Good job."
Tell me, who wouldn't run through a wall of flames for a boss like that?
-- As far as I know, Tom was the only person at The National who had the foresight to mat and frame a glossy color print of the front cover each time the paper launched a new edition in each of our 12 cities. Hanging on his office wall, the collection quickly and easily became even more coveted by one and all than one of the bright yellow National news boxes a few of us have been fortunate to acquire. Last spring, when I visited Tom and Anne for a BBQ in Roseville, Tom gave me the entire collection with the lame excuse that he didn't have room to hang them in their new home. Thank you again, Bubba!