I'm just thinning my physical record collection, loading up the songs I like onto iTunes and then hawking the disc. (Do people buy used c.d.'s anymore?) In so doing, I'm realizing that some songs I really, really like are lost in the middle of otherwise forgettable pieces of ****.
This is different from the classic definition of a one-hit wonder; maybe it's just one bad album in a band's otherwise stellar career, but at least they got it right for one three-minute slice.
For instance, I'm currently listening to the bells come in at the end of "Maria" by Blondie. It's a fantastic song, perfect ear candy, but it's track 3 on "No Exit," the aural equivalent of a strap-on *****, especially when Debbie Harry raps.
Next up, "Work for Food," track 2 on Dramarama's kinda lame "Hi-Fi Sci-Fi."
Followed by "Camera One," track 5 on the Josh Joplin's Group "Useful Music," a totally false title.
This is different from the classic definition of a one-hit wonder; maybe it's just one bad album in a band's otherwise stellar career, but at least they got it right for one three-minute slice.
For instance, I'm currently listening to the bells come in at the end of "Maria" by Blondie. It's a fantastic song, perfect ear candy, but it's track 3 on "No Exit," the aural equivalent of a strap-on *****, especially when Debbie Harry raps.
Next up, "Work for Food," track 2 on Dramarama's kinda lame "Hi-Fi Sci-Fi."
Followed by "Camera One," track 5 on the Josh Joplin's Group "Useful Music," a totally false title.