HejiraHenry
Well-Known Member
I was thinking about West Wing and Studio 60 today and I was a little troubled by something.
Near the end of the WW's run, C.J. is torn about what to do – return to the White House or go to work for the billionaire.
In the end, it took nudging from her reporter manfriend (Danny, was it?) to help her decide what to do.
In Studio 60, the female head of the network really isn't projecting a very professional image, topped off by getting pregnant in a one-night stand and then, against all logic, getting romantically involved with one of her employees. The recovering drug addict, no less.
I'm not even going near Harriet. The real-life lesbian playing the gay-conflicted Christian makes my brain hurt.
Maybe there's a third example of something along this same line from SportsNight. I forget, and I never really watched it that carefully.
Anybody wonder if Aaron Sorkin can really write the strong, self-sufficient female character?
Near the end of the WW's run, C.J. is torn about what to do – return to the White House or go to work for the billionaire.
In the end, it took nudging from her reporter manfriend (Danny, was it?) to help her decide what to do.
In Studio 60, the female head of the network really isn't projecting a very professional image, topped off by getting pregnant in a one-night stand and then, against all logic, getting romantically involved with one of her employees. The recovering drug addict, no less.
I'm not even going near Harriet. The real-life lesbian playing the gay-conflicted Christian makes my brain hurt.
Maybe there's a third example of something along this same line from SportsNight. I forget, and I never really watched it that carefully.
Anybody wonder if Aaron Sorkin can really write the strong, self-sufficient female character?