SMG interviews Glenn Stout

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http://www.sportsmediaguide.com/interviews/glenn-stout/

Pretty good stuff...

Q. Five BASW pieces that should be on every bathroom shelf?

A. I’ve often thought the entire book should have a hole perforated in the corner to facilitate being hung in the bathroom, because I suspect that’s where it gets read. I’ll leave aside both the Nack and Moehringer stories I’ve already mentioned, but would otherwise be on the list, and a few more that probably should be on there are in BASW of the Century. Here goes, but if you asked me tomorrow I might make different selections.

Bill Plaschke. “Her Blue Haven”, a profile of a Dodgers fan.

Charlie Pierce. “The Man, Amen”, Pierce’s infamous story on Tiger Woods.

Gary Smith. “Shadow of a Nation”, about Native American cross country runners.

Paul Solotaroff. “The Power and the Gory”, a cautionary tale about steroid use by a body builder.

Florence Shinkle. “Fly Away Home”. A very quiet story about pigeon racing, a subject I knew nothing about, by a writer I’d never heard of. I think its tone fits her subject precisely. Her editor hated it; David Halberstam and I loved it.

To me, the meat: The importance of a good lead.

Q. Characteristics of a BASW selection? When you come across a worthy piece, how do you know it?

A. The best work announces itself pretty quickly – one example of that, I think, was J.R. Moehringer’s story “Resurrecting the Champ.” I wasn’t at all familiar with Moehringer at the time but the lead was so good I just knew the story would be terrific – it felt like a part of something much larger, which it was. I didn’t even read it all the way through before I submitted it to the guest editor.

I had a similar experience the first time I read Bill Nack’s “Pure Heart,” about the death of Secretariat. In the opening scene the vet discussed the physical size of the horses’ heart, provided a similar experience. As for the stories that don’t make the book – well, I usually recognize those in the first graph or two. If the lede fails terribly, I can’t expect a reader to keep reading and hope it gets better. Sometimes, if I read a lede and like it, I’ll skip directly to the end, to see if that holds up. I try to think like a reader in the bookstore who may pick the book up, flip it open to a story, and maybe read two facing pages – the end of one story and the beginning of another. If they don’t like what they read, they put the book down and walk away. Obviously, I don’t want them to do that.
 
Another good clip:
Q. You are named editor of the All-Time Greatest Sports Staff? You get 10 hires. Who are they and why?

A. There are probably a hundred names I could select and not go wrong. I hope you understand that I don’t feel that it is appropriate for me to include anyone still writing – in my position I cannot and do not play favorites. So I’ll confine this primarily to the giants we stand on today, a list that is quite a bit more pale and includes more testosterone than if I were to include contemporary authors:

Ring Lardner, for his ear for the language, and because there are very few writers ever who I have found funnier. It is a real pity no one has ever collected his newspaper sports writing.

W. C. Heinz for the music of his work and the big heart that comes through it. As I wrote in the foreword to this years’ volume, I think part of BASW starts with me reading Heinz in the old Best Sports Stories collections when I was a kid.

A.J. Leibling. If for no other reason that the line he wrote about the younger writers of his generation, about whom he complained did their work and then ran home to “wife and baby” instead of, as he put it, sitting at the saloon and “soaking up information” like they should.

Red Smith because I still think he’s the best sports columnist we’ve ever had. Some people in newspapers complain to me that we never reprint enough columns in BASW. Well, that’s because not many are writing them very well – too many columns today are just brief anthologies of one-liners.

Wendell Smith, because advocacy journalism sometimes has a place. The work he and other African American sports writers did to put pressure on baseball to break the color line deserve our lasting gratitude.

David Halberstam, for his example as a reporter and for his generosity to young writers.

Harold Kaese. A bit of a sentimental choice. Kaese, who won the Spink award in 1976, wrote for the Globe for more than forty years, was a pioneer in the accumulation and use of baseball statistics as well as a terrific writer. When I worked at the Boston Public Library I pored over his archive, which gave me a crash course on not only Boston sports history, but on the life of a sportswriter.

Frederick P. O’Connell. This little known writer for the Boston Post died in 1907, before age thirty. But he was extraordinarily good for the era – the best of his work reads as if it were written today.

Shelby Strother. I encountered Strother, of the Detroit News, while editing the first edition of BASW, and only learned that he had passed away when I tried to contract him to inform him of his selection. He was really good, and, like Wells Twombley, another great writer who died too young, should not be forgotten.

Frank MacDonnell. A personal pick. He was sports editor of the Detroit Times in the 1930s and my wife’s grandfather. He took her mother out of school to meet Babe Ruth once and died young, in 1941. I have his BBWA wallet and press card and would have liked to have met him.
 
Evil ... Thy name is Orville Redenbacher!! said:
http://www.sportsmediaguide.com/interviews/glenn-stout/

Pretty good stuff...

Q. Five BASW pieces that should be on every bathroom shelf?

A. I’ve often thought the entire book should have a hole perforated in the corner to facilitate being hung in the bathroom, because I suspect that’s where it gets read. I’ll leave aside both the Nack and Moehringer stories I’ve already mentioned, but would otherwise be on the list, and a few more that probably should be on there are in BASW of the Century. Here goes, but if you asked me tomorrow I might make different selections.

Bill Plaschke. “Her Blue Haven”, a profile of a Dodgers fan.

Charlie Pierce. “The Man, Amen”, Pierce’s infamous story on Tiger Woods.

Gary Smith. “Shadow of a Nation”, about Native American cross country runners. basketball

Paul Solotaroff. “The Power and the Gory”, a cautionary tale about steroid use by a body builder.

Florence Shinkle. “Fly Away Home”. A very quiet story about pigeon racing, a subject I knew nothing about, by a writer I’d never heard of. I think its tone fits her subject precisely. Her editor hated it; David Halberstam and I loved it.
 

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