Evil ... Thy name is Orville Redenbacher!!
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http://www.sportsmediaguide.com/interviews/glenn-stout/
Pretty good stuff...
To me, the meat: The importance of a good lead.
Pretty good stuff...
Q. Five BASW pieces that should be on every bathroom shelf?
A. I’ve often thought the entire book should have a hole perforated in the corner to facilitate being hung in the bathroom, because I suspect that’s where it gets read. I’ll leave aside both the Nack and Moehringer stories I’ve already mentioned, but would otherwise be on the list, and a few more that probably should be on there are in BASW of the Century. Here goes, but if you asked me tomorrow I might make different selections.
Bill Plaschke. “Her Blue Haven”, a profile of a Dodgers fan.
Charlie Pierce. “The Man, Amen”, Pierce’s infamous story on Tiger Woods.
Gary Smith. “Shadow of a Nation”, about Native American cross country runners.
Paul Solotaroff. “The Power and the Gory”, a cautionary tale about steroid use by a body builder.
Florence Shinkle. “Fly Away Home”. A very quiet story about pigeon racing, a subject I knew nothing about, by a writer I’d never heard of. I think its tone fits her subject precisely. Her editor hated it; David Halberstam and I loved it.
To me, the meat: The importance of a good lead.
Q. Characteristics of a BASW selection? When you come across a worthy piece, how do you know it?
A. The best work announces itself pretty quickly – one example of that, I think, was J.R. Moehringer’s story “Resurrecting the Champ.” I wasn’t at all familiar with Moehringer at the time but the lead was so good I just knew the story would be terrific – it felt like a part of something much larger, which it was. I didn’t even read it all the way through before I submitted it to the guest editor.
I had a similar experience the first time I read Bill Nack’s “Pure Heart,” about the death of Secretariat. In the opening scene the vet discussed the physical size of the horses’ heart, provided a similar experience. As for the stories that don’t make the book – well, I usually recognize those in the first graph or two. If the lede fails terribly, I can’t expect a reader to keep reading and hope it gets better. Sometimes, if I read a lede and like it, I’ll skip directly to the end, to see if that holds up. I try to think like a reader in the bookstore who may pick the book up, flip it open to a story, and maybe read two facing pages – the end of one story and the beginning of another. If they don’t like what they read, they put the book down and walk away. Obviously, I don’t want them to do that.