That was the biggest problem then, too. Another one was accountability. Some 23-year-old designer 45 miles away didn't really get all that heartbroken when she screwed up a headline or cutline. She would just shrug it off and move on. It's different when you live and work in the same community. There's a passion that's lost when you go from a newsroom environment to a page factory.
And I actually had high hopes when we started. I bought into the theory that a roomful of page designers would create this bastion of creativity, with each one pushing the other to improve his craft. Instead, they took on an assembly-line mentality. MUST MEET PAGE FLOW. MUST MEET PAGE FLOW.
And it completely stifled the creative juices between writer, editor, photographer and designer.
Producing a good newspaper is art, not merely high-volume production. The readers notice the difference ... and oh, do they hate when they call up to complain and hear, "Sorry, our page designer in (insert city an hour away) made that mistake. We apologize."
There are dozens of other issues, but not sure I want to relive all of those memories. I'll leave that to my friends in Gannett.