RecoveringJournalist
Well-Known Member
- Joined
- Jun 17, 2014
- Messages
- 6,055
It says a lot about the state of music that the two biggest tours of the summer are bands who I saw both of their farewell tours.... 25 years ago...
Do solo artists qualify? If so, Sturgill Simpson.
Old people bitching about "today's" music and the death of rock and roll.
Awesome.
Holy ****. I just looked at the Grammys for Best Rock Album since 2000. Thoughts:
-- Led Zeppelin won it. In 2014. Among those they beat out are Black Sabbath, David Bowie and Neil Young.
-- The Foo Fighters won it four times.
-- Green Day and U2 won it twice each.
-- Such new blood as Springsteen, Santana and Red Hot Chili Peppers won it once each.
-- Coldplay is not "rock."
-- Of the other winners, I've never heard of Muse.
-- What I've heard of them, I like Beck and the Black Keys, but I'm not sure I'd classify either as "rock."
Yeah, The Black Keys are definitely a rock band.
Well, shows you how much I listen to new music. They played at the Concert for Valor on the National Mall and whatever songs they played sounded very synthesized.
Nice post cyclingwriter. One clarification--we may have listened to the Osmonds and the Jacksons, but we bought Steve Miller and Bad Company and Kansas.
So let me take a couple of the bands you mention that I can enjoy: The Strokes and Modest Mouse. And I ask myself, what's their name recognition, what's their Q rating. If The Strokes go on tour, does it generate the buzz or recognition across the broad populace in a way that say REM or U2 or Aerosmith did back in the day? I would say negative. Would it even equate on a Supertramp or Boston or INXS level? If Modest Mouse releases an album, does it generate the widespread interest a Bowie or Gabriel or Crue record might have back in the day. It doesn't seem to in my view.
So then I ask is that because of the music itself, or is it because the way music is distributed, and more importantly, consumed today, causes a fragmentation that doesn't create the mass appeal opportunities of the past. Are there just too many visual and aural distractions that the modern music artist must compete against. It's really a tremendous research opportunity from a sociological, economic and artistic perspective to try and figure out what changed and more importantly why, or what were the factors behind that.
And if you are going to stand on my lawn, please mow it--dealing with a lot of rain here recently.