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RIP, Sports Illustrated photo department

Discussion in 'Journalism topics only' started by Steak Snabler, Jan 23, 2015.

  1. Boom_70

    Boom_70 Well-Known Member

    The SI Cover next week:

    SPORTS ILLUSTRATED


    # 3 FOR TOM






    JANUARY 29, 2015
     
    Riptide likes this.
  2. swingline

    swingline Well-Known Member

    When the Rams won the Super Bowl, it was a freelancer who shot the full-spread picture of Mike Jones making the game-saving tackle.
     
  3. Double Down

    Double Down Well-Known Member

    It's not just photogs. Two senior writers as well.
     
  4. Drip

    Drip Active Member

    Oh boy.
     
  5. ChrisLong

    ChrisLong Well-Known Member

  6. JackReacher

    JackReacher Well-Known Member

    Was Hot Clicks affected?
     
  7. Boom_70

    Boom_70 Well-Known Member

  8. linotype

    linotype Well-Known Member

    Or "This Week's Sign of the Apocalypse" in, appropriately enough, SI.
     
    Joe Williams and Riptide like this.
  9. Joe Williams

    Joe Williams Well-Known Member

    And yet we hear that Stephen A. Smith inks a deal worth $3M a year or some ridiculous amount.
    Says a lot about the business. Says a lot about the audience.
     
  10. goalmouth

    goalmouth Well-Known Member

    Time-Life invented the modern publishing bureaucracy, SI perfected it. I remember when there were what seemed hundreds of names on the masthead. I'm more surprised every newspaper and magazine hasn't gone to the all-freelance model. The infrastructure built up over years of monopoly has been unsustainable for a generation.
     
  11. BTExpress

    BTExpress Well-Known Member

    IIRC, Bill Frakes freelanced for years for SI while working full-time for the Miami Herald.

    I'd be curious what their ratio over the years has been to freelance photos:full-time staffer photos
     
  12. LanceyHoward

    LanceyHoward Well-Known Member

    Evidently this is the corporate equivalent of musical chairs. The publishing company is going to move out of the Time-Warner building to a cheaper location. There is also less space so people who seeing who will not have a cubicle in the new offices.

    Which leads to my question. Why would any publisher keep editorial headquarters in Manhattan? Rents are expensive and you have to pay staff more money to partially offset the higher cost of living.
     
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