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Kevin Spacey - What Are You Doing?

Discussion in 'Anything goes' started by LanceyHoward, Dec 26, 2018.

  1. Hermes

    Hermes Well-Known Member

    Not gonna lie. If Spacey loses his mind and decides to become Frank Underwood, that'd be a hell of a documentary that I'll watch tomorrow.
     
  2. swingline

    swingline Well-Known Member

    Spacey is definitely one of the best actors of his generation, but I don't see any way he ever revives his career. There are some things you can never come back from — and never should — and his is one.

    Almost every time I see his face, though, I think of the profile of him by Tom Junod in Esquire.
     
  3. DanOregon

    DanOregon Well-Known Member

  4. TigerVols

    TigerVols Well-Known Member

    What’s the last, interesting profile that was published in a major magazine that created buzz? Outside of a Princess Meghan or a Venus one in Vogue, I can’t recall any. Journalism truly is dead.
     
  5. DanOregon

    DanOregon Well-Known Member

    When you think of deep magazine profiles are any of the ones people remember flattering?
     
  6. Regan MacNeil

    Regan MacNeil Well-Known Member

  7. justgladtobehere

    justgladtobehere Well-Known Member

    I don't think Heather Unruh will ever quit.
     
  8. Regan MacNeil

    Regan MacNeil Well-Known Member

  9. AD

    AD Active Member

    reasons, tigervols, why the mag profile is on life support:

    1) money. The New Yorker aside, no one has the money to plant someone with a subject for a month, especially if clicks can't be guaranteed.
    2) access. a publicist's job used to entail drumming up pub, running interference, and judging whether it was worthwhile to grant access. now, with social media minefields and the possibility of a subject stepping in it, there is absolutely no upside. in fact, the only way a publicist/agent will possibly LOSE their job is if they DO grant access. Saying no is the safest course....

    ...especially because of 3) celeb/star athlete social media feeds. why surrender that control, especially when the media brand needs you more than you need it?

    it's rarely mentioned, but this is why the final third of Gary Smith's career entailed writing almost exclusively about obscure people. the access for his type of deep-dive piece was already drying up in the 2000s. only high school and fringe sports and regular-folk-with-incredible-narrative offer the same kind of openness that might result in some truly, unfiltered human stories.
     
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